The origin of the shabti in ancient Egyptian civilization is a debated issue. Nevertheless, by the time of Dynasty XII of the Middle Kingdom (about 1991–1782 BC), shabtis gradually become a fixed feature of the funerary panoply of elite members of Egyptian society.
“Contrary to popular opinion, these statuettes were not anciently regarded as servants who might magically attend to every whim of their owners. Rather, they were intended to serve as surrogates for both aristocrats and pharaohs of both sexes who were expected to respond to the roll call in the hereafter,” illuminates Samuel Merrin of the Merrin Gallery in New York.
Also known as an ushabti, the word “shabti” derives from the ancient Egyptian word for “the responder”. They were to perform specific work of an enigmatic nature which primarily entailed the cultivation of fields, the irrigation of the river banks, and “the ferrying of sand of the east to the west and vice-versa”.
Showing posts with label museums. Show all posts
Showing posts with label museums. Show all posts
August 9, 2011
April 11, 2011
Maya Art – Among Samuel Merrin's Favorites
This magnificent and important polychrome painted vase is one of a group of vases that has been identified by an individual (anonymous) artist. The group is identified as the “Fenton School” as after its namesake vase in the collection of the British Museum (collected in the late 18th century in the area of Nebaj, Guatemala).As a child, in the mid to late 1960s, I remember my father, Edward Merrin, displaying this magnificent vase in our house. He had two vases in his private collection, this war vase and a carved vase now in the Kimbell Art Museum in Fort Worth, Texas. The painting is beautifully done with the lines of the figures bold and elegant. This is the last one of a group of six vases still in private hands.
December 6, 2010
The Merrins & Confidential Art Sales
Over the past five decades, Edward and Samuel Merrin have acquired, and placed major ancient art collections with leading institutions and private collectors.
Especially in the last few years, Samuel Merrin has acquired old collections from major families. Working with the owners, who wanted the transactions kept confidential, he placed these valued objects of art 'quietly'. Celebrated as one of the great advantages of The Merrin Gallery, this has kept Sam a major player in the art world—sometimes even rivaling Sotheby's and Christie's. Where, to purchase private collections and individual pieces, he has at times outbid both auction houses.
Sam has the standing and ability to either purchase part or entire collections, acquired many years ago, and respect the selling wishes of clients.
More about: Samuel Merrin, or Edward Merrin & Gallery.
Especially in the last few years, Samuel Merrin has acquired old collections from major families. Working with the owners, who wanted the transactions kept confidential, he placed these valued objects of art 'quietly'. Celebrated as one of the great advantages of The Merrin Gallery, this has kept Sam a major player in the art world—sometimes even rivaling Sotheby's and Christie's. Where, to purchase private collections and individual pieces, he has at times outbid both auction houses.Sam has the standing and ability to either purchase part or entire collections, acquired many years ago, and respect the selling wishes of clients.
More about: Samuel Merrin, or Edward Merrin & Gallery.
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