The Great Merrin Sarcophagus

This Dynasty XXI sarcophagus is made from
sycamore fig-wood with colorfully painted scenes.

Art experts like Samuel Merrin consider this ancient Egyptian sarcophagus to be among the last great ones in private hands.

The front lid of Neshkons' sarcophagus is truly a marvel of ancient Egyptian art. Proudly acquired by the Merrin Gallery, it depicts the deceased in mummiform, surrounded by various goddesses, mystical creatures, and many other painted scenes commemorating Neshkons' life and wishing well for his afterlife.

Purchased when it went up for auction at Christie's in 2006, Samuel Merrin, owner of the Merrin Gallery on New York's Fifth Avenue, recollects that, “We were prepared to pay three times the price we eventually paid, because we recognized its beauty and rarity. We also knew that this would be known as the most prized acquisition at the auction.”

The right side of both the lid and trough of Neshkons' sarcophagus features varying scenes of ancient Egyptian funerary art with hyerogylphic inscriptions; further detailed on Sam's Flickr.

The Merrin Gallery's sarcophagus comprises of a lid, trough and the mummy of Neshkons. It was, and still is regarded as a record bid for a sarcophagus and mummy.

Burried sometime between 900–940 BC, the sarcophagus of Neshkons was excavated in 1900 AD and later shipped from the Egyptian Museum in Cairo to the Western Reserve Historical Society in Cleveland, Ohio, where the mummy was partially unwrapped.

According to Samuel Merrin's appraisal, “The preservation of the mummy is excellent.”

An x-ray image of the mummy shows us that a metal plate that was placed over an incision by which his internal organs were removed for ceremonial funerary purposes. The x-ray of Neshkons' mummy, and analysis thereof, also helped determine that he died at 20 years of age.

Mr. Merrin reminds us that, “It is one of the best sarcophagi from the best period — the 21st dynasty.” This is evident as the inside and outside of the sarcophagus display wonders of ancient Egyptian art.

The inside walls of the Merrin sarcophagus are similar in that they depict the Four Sons of Horus and Anubis with various other deities. As far as typography is concerned, a passage known as the htp-di-nsw with additional scripture is featured on both inner sides, but with slight variations. The outer right and left sides are also found to have subtle, intended differences in terms of hieroglyphic scripture, scenes and depictions.

Speaking to Samuel we discover that, “Judging from the elaborate sarcophagus and the amulets founds under the wrappings, Neshkons must have been a man of high rank and repute.” His coffin is decorated with gods, goddesses and notable figures in ancient Egyptian society (e.g. Amenhotep I).

Among the many other figures, the inside of Neshkons' sarcophagus features a small sphinx to the left of the central figure (Amenhotep I), below which is a standing Anubis. To the right of the Anubis is a table of offerings, and above that there is a small black figure — Anupet, the female Anubis. 

After Mr. Moshe Bronstein of the Merrin Gallery put down his auction paddle after the winning bid, another dealer was said to have exclaimed that it was a great purchase and asked to buy a half-share of the sarcophagus.

“Buying a half-share is common among dealers, but we did not need to bring in any partners. We wanted to be the sole owners of this magnificent sarcophagus. We also knew that its provenance was perfect,” Samuel Merrin concludes.

The inside-top part of the Merrin Gallery's sarcophagus features hieroglyphic inscriptions, seated jackal deities, as well as a Ba-bird, Anubis, and Ipt.

Egyptian Amulets – Protection Through Ancient Gods

Faience lion and Taweret, goddess of fertility.

What is an amulet? It is a small token or talisman, a precious and portable expression of devotion and the hope for protection from disease, death, infertility, or a myriad of other calamities. "In ancient Egypt, such apotropaic [protective] devices could be fashioned from regular materials — such as stone, ivory, metal, glass, and clay — or faience," explains Samuel Merrin, owner of an antiquities gallery on Fifth Avenue.

Faience is a moldable, self-glazing glassy frit — a baked material composed of quartz, lime, copper, and an alkali. When it was first developed during the late Predynastic Period (ca. 3000 BC), faience was invariably blue-green in color. Later, other colors were achieved. But the original tonalities imbued the material with magical significance, making it much more precious than it's combined components. Egyptians believed that the color blue-green connoted vitality and eternal life.

Egyptology – Funerary Shabtis of Ancient Egypt

The origin of the shabti in ancient Egyptian civilization is a debated issue. Nevertheless, by the time of Dynasty XII of the Middle Kingdom (about 1991–1782 BC), shabtis gradually become a fixed feature of the funerary panoply of elite members of Egyptian society.

“Contrary to popular opinion, these statuettes were not anciently regarded as servants who might magically attend to every whim of their owners. Rather, they were intended to serve as surrogates for both aristocrats and pharaohs of both sexes who were expected to respond to the roll call in the hereafter,” illuminates Samuel Merrin of the Merrin Gallery in New York.

Also known as an ushabti, the word “shabti” derives from the ancient Egyptian word for “the responder”. They were to perform specific work of an enigmatic nature which primarily entailed the cultivation of fields, the irrigation of the river banks, and “the ferrying of sand of the east to the west and vice-versa”.

Maya Art – Among Samuel Merrin's Favorites

This cylindrical terracotta Mayan war vase, depicting a battle scene, is one of Samuel Merrin's favorite pieces. (Although recomposed from several pieces, it is complete.) An excellent specimen of ancient South American art, originating from the late-Classic period (600-800 AD), a 360° view of the Mayan war vase reveals its beauty and pristine condition. Samuel Merrin vividly adds:

As a child, in the mid to late 1960s, I remember my father, Edward Merrin, displaying this magnificent vase in our house. He had two vases in his private collection, this war vase and a carved vase now in the Kimbell Art Museum in Fort Worth, Texas. The painting is beautifully done with the lines of the figures bold and elegant. This is the last one of a group of six vases still in private hands.

This magnificent and important polychrome painted vase is one of a group of vases that has been identified by an individual (anonymous) artist. The group is identified as the “Fenton School” as after its namesake vase in the collection of the British Museum (collected in the late 18th century in the area of Nebaj, Guatemala).

Roundup: Past Few Merrin Months

Consolidating fall '10 and winter '10/11 at the Samuel Merrin & Gallery blog.

Notably includes a look at Samuel Merrin's professional work – through matters concerning clients of The Merrin Gallery. As well as Samuel's personal life – through an exploration of artistic favorites, and NGO-involvement. (Note that all articles have been updated since their original publication.)

RECENTLY ON THE SAMUEL MERRIN & GALLERY BLOG:

Samuel Merrin's Favorite Artwork

An article touching on one of Samuel Merrin's favorites pieces of art, included a rotating look the piece through a an all-around 360 video. A more detailed look at the piece itself, and the history behind can be expected on Samuel Merrin & Gallery shortly, but the article has been updated with a list of publications and detailed specifications of Samuel's vase.

Samuel Merrin & Confidentiality

An article detailing Samuel Merrin's buying practices and the handling of clients' privacy also (shortly) touched on, for example, his ability to buy back older collections. As well as The Merrin Gallery's competitive edge on auction houses like Sothebie's.